Kent Nagano is renowned for interpretations of clarity, elegance and intelligence. He is equally at home in music of the classical, romantic and contemporary eras, introducing concert and opera audiences throughout the world to new and rediscovered music and offering fresh insights into established repertoire. Since September 2006, he is Music Director of the Orchestre symphonique de Montréal, a contract extended until 2020. He also became Artistic Advisor and Principal Guest Conductor of Gothenburg Symphony in September 2013. Since September 2015, he is the General Music Director of the Hamburg State Opera and the Chief Conductor of the Philharmonic State Orchestra. At the Hamburg State Opera, he will start his first season with the premiere of Berlioz‘ Les Troyens, the world premiere of Toshio Hosokawas Stilles Meer, and also Messiaen’s Turangalîla-Symphonie choreographed by John Neumeier.
A milestone at the helm of the Orchestre symphonique de Montréal was the inauguration of the orchestra’s new concert hall la Maison symphonique de Montréal in September 2011. With the orchestra he performed the complete cycles of Beethoven and Mahler symphonies, Schoenberg's Gurrelieder, concert versions of Wagner's Tannhäuser, Tristan und Isolde, Das Rheingold, Honegger’s Jeanne d’Arc au Bûcher, Messiaen's Saint François d'Assise, L’Aiglon by Honneger and Ibert as well as a concert series featuring the works of Dutilleux (2010-2011) and Boulez (2011-2012). Nagano has taken the orchestra on a coast-to-coast tour of Canada and also to Japan, China, South Korea, Europe and South America. In March 2014 embarked on an extensive European tour with concerts in Zurich, Bern, Geneva, Vienna, Madrid, Oviedo, Cologne, Essen and Munich. Their recordings together include the Juno award winning album Ideals of the French Revolution Mahler’s Orchestral Songs with Christian Gerhaher, and Beethoven’s Piano Concertos nos. 4 and 5. Kent Nagano and the OSM also completed the recording of all the Beethoven symphonies released under Sony Classical/Analekta.
At the Bayerische Staatsoper, where he was General Music Director from 2006 to 2013, Kent Nagano commissioned new operas such as Babylon by Jörg Widmann, Das Gehege by Wolfgang Rihm and Alice in Wonderland by Unsuk Chin. New productions have included Mussorgsky’s Boris Godunov and Khovanshchina, Idomeneo, Eugene Onegin, Ariadne auf Naxos and Die Schweigsame Frau, Dialogues des Carmélites, Saint François d’Assise, Wozzeck, George Benjamin’s Written on Skin and Der Ring des Nibelungen. With the Bayerisches Staatsorchester Kent Nagano has toured throughout Europe and in Japan and together they have recorded Bruckner Symphonies nos. 4, 7 and 8. In January 2014, Kent Nagano returned to the Bayerische Staatsoper to conduct a revival of Widmann’s Babylon.
As a much sought after guest conductor, he has worked with most of the world’s finest orchestras including the Vienna, Berlin and New York Philharmonics, Chicago Symphony, Dresden Staatskapelle and Leipzig Gewandhaus. He has an ongoing relationship with Sony Classical and has also recorded for Erato, Teldec, Pentatone and Deutsche Grammophon as well as Harmonia Mundi, winning Grammy awards for his recordings of Busoni’s Doktor Faust with Opéra National de Lyon, Peter and the Wolf with the Russian National Orchestra and Saariaho’s L’amour de loin with the Deutsches Symphonieorchester Berlin.
A very important period in Kent Nagano’s career was his time as Artistic Director and Chief Conductor of the Deutsches Symphonie-Orchester Berlin, from 2000-2006. He performed Schönberg’s Moses und Aron with the orchestra (in collaboration with Los Angeles Opera), and took them to the Salzburg Festival to perform both Zemlinsky’s Der König Kandaules and Schreker’s Die Gezeichneten, as well as to the Festspielhaus Baden-Baden with Parsifal and Lohengrin in productions by Nikolaus Lehnhoff. Recordings with the Deutsches Symphonie-Orchester Berlin for Harmonia Mundi include repertoire as diverse as Bernstein’s Mass, Bruckner’s Symphonies nos. 3 and 6, Beethoven’s Christus am Ölberge, Wolf Lieder, Mahler’s Symphony no. 8 and Schönberg’s Die Jakobsleiter and Friede auf Erden, as well as Brahms’s Symphony no. 4 and Schoenberg’s Variationen für Orchester op. 31. In June 2006, at the end of his tenure with the orchestra, Kent Nagano was given the title Honorary Conductor by members of the orchestra, only the second recipient of this honour in their 60-year history.
Kent Nagano became the first Music Director of Los Angeles Opera in 2003 having already held the position of Principal Conductor for two years. His work in other opera houses has included Shostakovich’s The Nose (Staatsoper Berlin), Rimsky-Korsakov’s The Golden Cockerel (Châtelet, Paris), Hindemith’s Cardillac (Opéra national de Paris), Dialogues des Carmélites (Metropolitan Opera) and at the Salzburg Festival Les contes d’Hoffmann, Zemlinsky’s Der Koenig Kandaules, Schreker’s Die Gezeichneten and the world premiere of Saariaho’s L’amour de loin. Other world premieres include Bernstein’s A White House Cantata and operas by Peter Eötvös (Three Sisters), and John Adams (The Death of Klinghoffer and El Niño).
Born in California, Kent Nagano maintains close connections with his home state and was Music Director of the Berkeley Symphony Orchestra from 1978-2008. His early professional years were spent in Boston, working in the opera house and as assistant conductor to Seiji Ozawa at the Boston Symphony Orchestra. He played a key role in the world premiere of Messiaen’s opera Saint François d’Assise at the request of the composer, who became a mentor and bequeathed his piano to the conductor. Kent Nagano’s success in America led to European appointments: Music Director of Opéra National de Lyon (1988-1998) and Music Director of the Hallé Orchestra (1991-2000).
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