“A German Requiem” by Kent Nagano 2025-2026
OSM Conductor Emeritus Kent Nagano leads a moving performance of Brahms’ A German Requiem, as it was presented in 1868 in Bremen, Germany. Making its debut at the OSM, this historic recreation includes excerpts from Baroque masterpieces such as Bach’s St. Matthew Passion and Handel’s Messiah. These musical selections offer insight into Brahms’ artistic heritage and underscore his profound connection to the rich German musical tradition. This masterpiece invites deep contemplation on life and death, promising a truly exceptional musical journey.
Artists
Kent Nagano, conductor
Johannes Kammler, baritone
Paula Murrihy, mezzo-soprano
Jean-Willy Kunz, organist-in-residence
Alexander Janiczek, violin
OSM chorus
Andrew Megill, OSM chorus master
Program
Johannes Brahms, A German Requiem, from words of the Holy Scripture, Op. 45 (1868 Bremen version)
Johann Sebastian Bach, St. Matthew Passion, BWV 244: “Erbarme dich, mein Gott” (6 min)
George Frideric Handel, Messiah, HWV 56 (orch. W. A. Mozart) – excerpts
Works for violin and organ by Bach, Tartini, and Schumann
Without Intermission

Kent Nagano
Conductor EmeritusKent Nagano is considered one of today’s outstanding conductors for both operatic and orchestral repertoire. He will be the next Chief conductor and Artistic Director of the Orquesta y Coro Nacionales de España (OCNE) in Madrid starting in September 2026 and is the newly appointed Principal Artistic Partner of Filarmonica Toscanini. In addition, he is committed together with Jan Vogler as Artistic Director of the Ring project “The Wagner Cycles” of Dresdner Musikfestspiele with Dresdner Festspielorchester and Concerto Köln alongside Jan Vogler. He has been Honorary Conductor of the Deutsches Symphonie-Orchester Berlin since 2006, Concerto Köln since 2019, the Orchestre symphonique de Montréal since 2021 and the Philharmonisches Staatsorchester Hamburg since 2023 and is as patron of the Herrenchiemsee Festival.
As a much sought-after guest conductor, Kent Nagano regularly works with leading international orchestras worldwide, 2025/26 season highlights include several projects with the Deutsches Symphonie-Orchester Berlin, the Munich Philharmonic Orchestra, Maggio Musicale, the Tonhalle Orchestra Zurich, Opera de Paris, and the Philharmonia Orchestra, amongst others.

Johannes Kammler
BaritoneJohannes Kammler is one of the most sought-after baritones of his generation. With remarkable stylistic versatility, he captivates audiences on international opera, concert, and recital stages – from Canada and Europe to Korea.
Since 2018, he has been a member of the ensemble at the Staatsoper Stuttgart, where he performs leading roles such as Malatesta / Don Pasquale, Conte / Le nozze di Figaro, Papageno / Die Zauberflöte, Marcello / La Bohème, Guglielmo / Così fan tutte, and Oreste / Iphigénie en Tauride. He was previously a member of the ensemble at the Bavarian State Opera in Munich.
Upcoming highlights include his Wagner debuts as Gunther / Götterdämmerung, as well as Don Giovanni and Dandini / La Cenerentola at the Staatsoper Stuttgart. Further engagements include Brahms’ Requiem in Montreal, and several recitals, including in Liechtenstein. He regularly sings Oratorios by Bach, Mendelssohn, or Händel, with conductors such as Herreweghe, Nagano, Dudamel, Petrenko, and Young, among others.
Born in Augsburg, Johannes Kammler received his first musical training with the Augsburg Cathedral Boys’ Choir. He studied voice in Freiburg, Toronto, and at the Guildhall School of Music & Drama in London. He is a prizewinner of the international competitions Neue Stimmen and Operalia.

Paula Murrihy
Mezzo-sopranoIrish Mezzo-Soprano Paula Murrihy enjoys a busy career working at the highest level in both Europe and the US. Previously a member of Oper Frankfurt’s acclaimed ensemble, her many roles in Frankfurt include Dido in Purcell’s Dido and Aeneas, Octavian in Strauss’s Der Rosenkavalier, creating the role of Carmen in Barrie Kosky’s iconic production of Bizet’s opera, and most recently Dejanira in Handel’s Hercules.
Murrihy opened her 2025/26 season at the Gran Teatre del Liceu, Barcelona as Fox in Barrie Kosky’s production of Janáček’s The Cunning Little Vixen. Other opera highlights of the season include the roles of Ariane in Dukas’s Ariane et Barbe-Bleu at the Teatro Real, Madrid and Euryale in the world premiere of a newly commissioned opera Medusa at the Théâtre Royal de la Monnaie, Brussels, composed by Iain Bell and directed by the opera’s librettist Lydia Steier. This season’s concert highlights include Goffredo in Handel’s Rinaldo with The English Concert and Harry Bicket in London and on tour to China and South Korea, La Vierge Marie in Berlioz’s L’Enfance du Christ with the Scottish Chamber Orchestra conducted by Maxim Emelyanychev, and Handel’s Messiah with the Boston Baroque and Filippo Ciabatti.

Jean-Willy Kunz
Organist-in-residence with the OSMJean-Willy Kunz is the organist-in-residence of the Orchestre symphonique de Montréal. A member of the OSM since 2013, he studied at the Conservatoires de musique in Grenoble, Lyon, and Montreal, as well as at McGill University. In 2011, he was awarded the Richard Bradshaw Audience Prize at the Canadian International Organ Competition. He has performed as a soloist with the Orchestre symphonique de Québec, Les Violons du Roy, the Toronto Symphony Orchestra, the Edmonton Symphony Orchestra, and the Calgary Philharmonic Orchestra, and has premiered numerous works by notable composers.
In addition to his orchestral career, Jean-Willy is also an organ professor at the Conservatoire de musique de Montréal and serves as Artistic Director of the Canadian International Organ Competition.
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