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Ravel and Prokofiev With Weilerstein and Payare 2024-2025

The poetic discourse of Ravel and the sarcasm and humour of Prokofiev converge in this program showcasing the formidable artistry of Alisa Weilerstein and Rafael Payare.

Season Presenting Partner

The ballet Daphnis et Chloé poetically conjures an idyllic natural setting combined with elements of Greek Antiquity as imagined by Maurice Ravel, to the orchestra’s glistening hues and subtle inflections, that endow this work with graceful sensuality. The program’s other precious gem is Prokofiev’s Sinfonia Concertante, a colourful piece tinged with sarcasm and humour, brought to life through Alisa Weilerstein’s powerful artistry.

Artists

Orchestre symphonique de Montréal

Rafael Payare, conductor

Alisa Weilerstein, cello

OSM Chorus

Andrew Megill, chorus master

Program

Sergei Prokofiev, Sinfonia Concertante in E minor, op. 125 (37 min.)

Intermission (20 min)

Maurice Ravel, Daphnis et Chloé, Choreographic Symphony, M. 57 (50 min.)

Total duration110minutes

Rafael Payare

Music Director

Distinguished by innate musicianship, a gift for communication, and an irresistibly joyous spirit, conductor Rafael Payare began playing horn in Venezuela’s El Sistema program at age 14 and started his formal conducting studies in 2004 with José Antonio Abreu. Since winning Denmark’s prestigious Malko Competition for Young Conductors in 2012, his career has advanced rapidly. He was Chief Conductor and Music Director of the Ulster Orchestra from 2014 to 2019; has served as Principal Conductor of the Castleton Festival, founded by his mentor the late Lorin Maazel, since 2015; became Music Director of the San Diego Symphony in 2019, and three years later became Music Director of Canada’s Orchestre symphonique de Montréal. In recent years, Payare has conducted many of the world’s most prestigious orchestras, including those of New York, Chicago, Los Angeles, San Francisco, Philadelphia, Zurich, Berlin, Vienna, London, Munich, Hamburg, and Paris, besides making important opera debuts at London’s Royal Opera House, Covent Garden; the Glyndebourne Festival; Stockholm’s Royal Swedish Opera; and the Royal Danish Opera.

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