Rafael Payare’s prodigious musicianship, technical brilliance and charismatic presence on the podium have made him one of the world’s most sought-after conductors. Born in 1980 and a graduate of the celebrated El Sistema music education program in Venezuela, Mr. Payare began his formal conducting studies in 2004 with José Antonio Abreu. Since winning the prestigious Malko International Competition for Young Conductors in Denmark in 2012, Maestro Payare’s career has advanced rapidly. Since 2015, he has served as Principal Conductor of the Castleton Festival, founded by his mentor the late Lorin Maazel. He was Chief Conductor of the Uster Orchestra from 2014 to 2019 and in 2019, took up the position of Music Director of the San Diego Symphony. In recent years, Rafael Payare has conducted many of the world’s most prestigious symphony orchestras, in Berlin, Vienna, London, Munich, Chicago and Paris, among others. Beginning in the 2022-2023 season, he becomes the ninth Music Director in the history of the OSM.

Andrew Wan was named Concertmaster of the Orchestre symphonique de Montréal in 2008. As a soloist, he has performed throughout the world under the direction of such conductors as Vengerov, Petrenko, Labadie, Rizzi, Oundjian, Stern, and DePreist, among others, and has given chamber music concerts with many artists, including the Juilliard String Quartet, Repin, Hamelin, Trifonov, Pressler, Widmann, Ax, Ehnes, and Shaham. He has served as guest concertmaster of the Pittsburgh, Houston, Toronto, National Arts Centre and Indianapolis Symphonies. His recordings with Kent Nagano and the OSM, Charles Richard-Hamelin, James Ehnes and the Seattle Chamber Music Society, the Metropolis Ensemble, and the New Orford String Quartet have received a GRAMMY nomination, two Juno Awards, and multiple Felix and Opus Awards. Mr. Wan holds three degrees from the Juilliard School and is currently Assistant Professor of Violin at the Schulich School of Music of McGill University, and Artistic Director of Les Solistes de l’OSM. He plays a Michel’Angelo Bergonzi violin (1744), on generous loan from the David Sela collection, for which he extends his warmest thanks. He also performs on an 1860 Dominique Peccatte bow, graciously loaned by Canimex.