Free Concerts, Outdoor Concerts

Grand Opening Concert: Verdi’s Great Requiem

Verdi’s Great Requiem

Grand Opening Concert:
Presented at the Esplanade at the Olympic Park

Olympic Park

Under the direction of Kent Nagano, a massed chorus and orchestra joined by four soloists including Leslie Ann Bradley and Mario Bahg will launch the eighth edition of the Classical Spree with a performance of Verdi’s Requiem. A great master of the opera, Verdi gave this work a truly theatrical dimension: profound vocal lyricism, powerful choral and orchestral forces and the famous Dies Irae with its striking effect. Join the OSM and more than 400 choristers at the Olympic Park to experience this special, highly charged and powerfully emotional moment.

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Kent Nagano, conductor

Leslie Ann Bradley, soprano
Raehann Bryce-Davis, mezzo-soprano
Seungju Mario Bahg, tenor
Ryan Speedo Green, bass-baritone
Andrew Megill, chorus master
Jean-Pascal Hamelin, chorus master
Choir of about 400 singers comprising OSM Chorus and Member-Choirs from the Alliance chorale du Québec

Choirs Chorus master
Chœur Ambitus Richard Charron
Choeur Bella Voce Drummondville James Copland
Choeur polyphonique de Montréal Louis Lavigueur
Grand choeur de Montréal Martin Dagenais
Chœur Maha Megan Batty
Choeur pour les enfants de Ste-Justine Sylvain Cook
Anima Musica Francis Guérard
Chœur classique de Montréal Louis Lavigueur
Choeur du Musée d’art de Joliette Jean-Pascal Hamelin
Chorale Cantabile Peter Willshe
Le Choeur de la Montagne Julien Proulx
Le Choeur de L’Art Neuf Pierre Barrette
NEV Marc-Olivier Lacroix
Un air de chance Sylvain Cooke

Canadian soprano Leslie Ann Bradley “brings the stage to life whenever she sets foot into the spotlight”

The Toronto Star

TICKET PRICES

FREE

WEDNESDAY, August 7 2019

8 P.M.

PROGRAMME NOTE

Verdi’s Great Requiem

“With Him ends the purest, the most holy, the highest of our glories.” Verdi penned these words shortly after the death of novelist, dramatist, and poet Alessandro Manzoni, whose writing helped establish Italian Romanticism and, for many, embodied the ideals of Italian nationhood. Verdi was agnostic but firmly patriotic, and thus he composed the Requiem for the first anniversary of Manzoni’s death in 1874. The Milan premiere featured 120 choristers and four soloists, employed in unique and operatic fashion: sometimes narrators and sometimes individual supplicants, they sing alone, with chorus, and in duets, trios, and quartets.

To the core texts of the Roman Catholic Mass for the Dead, Verdi added the final Libera me—revised from an earlier, failed attempt to assemble a Requiem for Rossini—in addition to expanding the unforgettable Dies irae. This section of the mass goes to terrifying extremes of emotion, beginning with blaring orchestral hammer-blows and stormy, whirling strings, and perpetually returning to the whispered refrain “Dies irae.” Especially memorable are the trumpets stationed apart from the orchestra, calling to those onstage as if with an otherworldly summons. The tearful Lacrymosa comes from a duet originally intended for Don Carlos; indeed, in the words of opera specialist Julian Budden, Verdi poured into this work “all the purely musical resources that he had developed in the course of twenty-six operas.”

© Ariadne Lih

MORE INFORMATION

Kent Nagano

USEFUL INFORMATION

Will the concert be cancelled if it rains?
The show will go on, even if it’s raining! The OSM will not cancel a concert due to rain except in exceptional circumstances such as a thunderstorm. In the event of such an occurrence, we invite you to check our Facebook page or our website for updates.

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