Rafael Payare and Shostakovich’s Awe-Inspiring Symphony No. 8
While the influence of Viennese Classicism is certainly palpable in Beethoven’s First Symphony, its fiery score teems with ground-breaking ideas like the seeds of a style that would assert itself ever more vigorously over the years. The driving force of Shostakovich’s Eighth Symphony is something else entirely: brutal, dreadful, ruthless, a striking work summoning the devastating drama of wartime, with irony emerging as a response to suffering.
While the influence of Viennese Classicism is certainly palpable in Beethoven’s First Symphony, its fiery score teems with ground-breaking ideas like the seeds of a style that would assert itself ever more vigorously over the years. The driving force of Shostakovich’s Eighth Symphony is something else entirely: brutal, dreadful, ruthless, a striking work summoning the devastating drama of wartime, with irony emerging as a response to suffering.
Artists
Orchestre symphonique de Montréal
Rafael Payare, conductor
Program
Beethoven, Symphony no. 1 in C major, op. 21 (26 min.)
Intermission (20 min.)
Chostakovitch, Symphony no. 8 in C minor, op. 65 (61 min.)
Rafael Payare
Music DirectorDistinguished by innate musicianship, a gift for communication, and an irresistibly joyous spirit, conductor Rafael Payare began playing horn in Venezuela’s El Sistema program at age 14 and started his formal conducting studies in 2004 with José Antonio Abreu. Since winning Denmark’s prestigious Malko Competition for Young Conductors in 2012, his career has advanced rapidly. He was Chief Conductor and Music Director of the Ulster Orchestra from 2014 to 2019; has served as Principal Conductor of the Castleton Festival, founded by his mentor the late Lorin Maazel, since 2015; became Music Director of the San Diego Symphony in 2019, and three years later became Music Director of Canada’s Orchestre symphonique de Montréal. In recent years, Payare has conducted many of the world’s most prestigious orchestras, including those of New York, Chicago, Los Angeles, San Francisco, Philadelphia, Zurich, Berlin, Vienna, London, Munich, Hamburg, and Paris, besides making important opera debuts at London’s Royal Opera House, Covent Garden; the Glyndebourne Festival; Stockholm’s Royal Swedish Opera; and the Royal Danish Opera.