Holst’s Legendary Planets

^{Summer 2025}

Distinguished by innate musicianship, a gift for communication, and an irresistibly joyous spirit, conductor Rafael Payare began playing horn in Venezuela’s El Sistema program at age 14 and started his formal conducting studies in 2004 with José Antonio Abreu. Since winning Denmark’s prestigious Malko Competition for Young Conductors in 2012, his career has advanced rapidly. He was Chief Conductor and Music Director of the Ulster Orchestra from 2014 to 2019; has served as Principal Conductor of the Castleton Festival, founded by his mentor the late Lorin Maazel, since 2015; became Music Director of the San Diego Symphony in 2019, and three years later became Music Director of Canada’s Orchestre symphonique de Montréal. In recent years, Payare has conducted many of the world’s most prestigious orchestras, including those of New York, Chicago, Los Angeles, San Francisco, Philadelphia, Zurich, Berlin, Vienna, London, Munich, Hamburg, and Paris, besides making important opera debuts at London’s Royal Opera House, Covent Garden; the Glyndebourne Festival; Stockholm’s Royal Swedish Opera; and the Royal Danish Opera.

Andrew Megill is recognized as one of the leading choral conductors of his generation, known for his unusually wide-ranging repertoire, extending from early music to newly composed works. He has prepared choruses for the American Symphony, the Cleveland Orchestra, the Dresden Philharmonic, the National Symphony, and the New York Philharmonic, and he has worked with conductors such as Pierre Boulez, Charles Dutoit, Rafael Frühbeck de Burgos, Alan Gilbert, Kurt Masur, and Kent Nagano. He is Director of Choral Activities at the University of Illinois and serves as Associate Conductor and Director of Choral Activities of the Carmel Bach Festival, as well as Artistic Director of the ensemble Fuma Sacra. He taught at Westminster Choir College and has been a Guest Conductor for the Yale Institute of Sacred Music. Broadcast by Public Radio International and the BBC, his work can be heard on numerous recordings, including those of Magnussen’s Psalm (Albany Records), Haydn’s Masses (Naxos), and works by Caleb Burhans (Cantaloupe).