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Spectacular Nature! Free Grand Concert at the Esplanade of the Olympic Park

Summer 2025

From Rossini’s celebration of the Swiss Alps to Debussy’s vivid depiction of turbulent waters and Goulet’s Ice Storm, each work on this program draws on natural phenomena to represent Nature’s many facets. The magnificent voice of tenor Pene Pati will bring even more intensity to this concert with arias from Puccini. Reconnect with or discover the OSM under the stars for a spectacular evening of music, nature, and deep emotion.

Festival Presenter
Official car
Partners
Partners

Artists

Rafael Payare, conductor

Godwin Friesen, piano

Pene Pati, tenor

Program

Gioachino Rossini, Guillaume Tell : Overture (12 min)

Gabriela Ortiz, Kauyumari (7 min)

Charles Gounod, Romeo et Juliette : « L’amour !… Ah Lève-toi, soleil! » [Ah, arise, o sun!] (5 min)

Giacomo Puccini, La Bohème : « Che gelida manina » [How cold your little hand is!] (5 min)

Maxime Goulet, Symphonie de la tempête du verglas : II. Chaleur [Warmth] (8 min)

Míkis Theodorákis, Symphony no. 2 “The Song of the Earth” : IV. Finale : Presto-Adagio-Dolce (13 min)

Giacomo Puccini, Turandot : « Nessun Dorma » [Nobody Shall Sleep] (5 min)

Claude Debussy, La mer : III. Dialogue du vent et de la mer [Dialogue of the Wind and the Sea] (8 min)

Total duration65minutes

Rafael Payare

conductor

Distinguished by innate musicianship, a gift for communication, and an irresistibly joyous spirit, conductor Rafael Payare began playing horn in Venezuela’s El Sistema program at age 14 and started his formal conducting studies in 2004 with José Antonio Abreu. Since winning Denmark’s prestigious Malko Competition for Young Conductors in 2012, his career has advanced rapidly. He was Chief Conductor and Music Director of the Ulster Orchestra from 2014 to 2019; has served as Principal Conductor of the Castleton Festival, founded by his mentor the late Lorin Maazel, since 2015; became Music Director of the San Diego Symphony in 2019, and three years later became Music Director of Canada’s Orchestre symphonique de Montréal. In recent years, Payare has conducted many of the world’s most prestigious orchestras, including those of New York, Chicago, Los Angeles, San Francisco, Philadelphia, Zurich, Berlin, Vienna, London, Munich, Hamburg, and Paris, besides making important opera debuts at London’s Royal Opera House, Covent Garden; the Glyndebourne Festival; Stockholm’s Royal Swedish Opera; and the Royal Danish Opera.

Godwin Friesen

piano

Godwin Friesen is a pianist and composer from the Canadian Prairies, exuberantly discovering where a life in music can take him. Winning the 2022 Orchestre Symphonique de Montréal Competition has led to several collaborations with the orchestra in his current hometown of Montreal. First prize in the 2023 Trondheim International Competition with the Rilian Trio (Daniel Dastoor and David Liam Roberts) has opened doors to professional engagements in Europe and across Canada. Godwin’s musical formation began with singing and playing in the Friesen Family Band. An early piano teacher, Sheila Wright, introduced him to composing; his new compositions inspired by the Psalms have become an important element of his performances, including in his recent duo tours organized by Prairie Debut. After five formative years learning from pianist Bonnie Nicholson in Saskatoon, he studied with John O’Conor at the Glenn Gould School in Toronto and then with Henry Kramer and Jean Saulnier at l’Université de Montréal, where he finished a master’s in 2024.

Pene Pati

tenor

Pene Pati is revered for his “extraordinary gift for producing a golden thread of sound that can swell without strain to magnificence” (The Telegraph) and is instantly recognizable by his “round and sunshine filled voice,” (Le Monde), with his warm and winning personality endearing him to both audience and critics around the world. The first Samoan tenor to perform on Europe’s top stages, Pene Pati boasts an exceptional versatility in a broad palette of roles from Mozart to Massenet, Donizetti, Gounod, Puccini and Verdi and his self-titled debut album of Italian and French arias earned him the Opus Klassik Newcomer of the Year Award, Best Male Singer at the Opera Critics’ Awards and Opera Magazine Readers’ Award at the International Opera Awards.  An exclusive recording artist for Warner Classics, his second album, Nessun Dorma, was released in September 2024.

Pene Pati’s 2024/25 season opens with a return to Opéra national de Paris to debut as Gounod’s Faust, and continues with two highly anticipated debuts at the Royal Ballet and Opera as Rodolfo in Puccini’s La Bohème under Speranza Scappucci and at the Metropolitan Opera as Duca in Verdi’s Rigoletto. Rodolfo holds a firm position across the current season’s planning, marking important house debuts at Bayerische Staatsoper, Lyric Opera of Chicago and his return to San Francisco Opera and, in concert version with ​L’orchestre de Chambre de Genève, he further expands his repertoire with first performances as Massenet’s Werther.  At Osterfestspiele Salzburg, Pene Pati sings Mendelssohn’s Elias under the baton of Maxim Emelyanychev and with Luzerner Sinfonieorchester and Michael Sanderling he performs and records both Mozart’s Requiem and Fazil Say’s world-premiere, Mozart ve Mevlana.  In addition to gala concerts in Berlin, Paris and Istanbul, he performs in recital at Opéra national de Bordeaux with pianist Mathieu Pordoy, and together with Amina Edris as part of Les Sommets de la Voix recital series in Crans-Montana, Switzerland. Over the summer, Pene Pati returns to the Festival d’Aix to debut another French role, Nadir in Bizet’s Les Pêcheurs de perles, before performing in Mozart’s Mitridate at the Salzburger Festspiele. He ends his season with his debut at the Arena di Verona in Verdi’s Rigoletto.

Recent seasons have seen Pati make numerous acclaimed operatic debuts including in L’elisir d’amore (Nemorino) at Opéra national de Paris and San Francisco Opera; Roméo et Juliette (Roméo) at San Francisco Opera, Opéra Comique and Opéra national de Bordeaux; La traviata (Alfredo) at Staatsoper Berlin, Deutsche Oper Berlin and Dutch National Opera; Manon (des Grieux) at Gran Teatre del Liceu and Staatsoper Hamburg; La Damnation de Faust (Faust) at Opéra de Monte-Carlo; Lucia di Lammermoor (Edgardo) at Teatro San Carlo di Napoli; Mitridate, re di Ponto at Staatsoper Berlin; Beatrice di Tenda (Orombello) at Opéra national de Paris; La Bohème (Rodolfo) at Théâtre des Champs-Elysées and Canadian Opera Company; Anna Bolena (Percy) at Wiener Staatsoper; La Favorite (Fernand) at Opéra national de Bordeaux; Rigoletto (Duca) at Opéra de Rouen Normandie, Staatsoper Berlin and Teatro San Carlo di Napoli and both Moïse et Pharaon (Amenophis) and the title role in La Clemenza di Tito at Festival d’Aix-en-Provence.  As part of Les Grandes Voix series, Pati joined the cast of Massenet’s Thaïs at Paris’ Théâtre des Champs-Elysées with Pierre Bleuse conducting l’Orchestre National de France and, as Artist in Residence with the CBSO and Music Director Kazuki Yamada, he sang both Berlioz’ La Damnation de Faust and Puccini’s Madama Butterfly at Birmingham Symphony Hall.

Pene Pati headlined the 2024 Concert de Paris, France’s annual Bastille Day concert, broadcast to a vast international audience, he opened San Francisco Opera’s Centennial Season as guest soloist in a celebratory concert under Music Director Eun Sun Kim, and his sell-out Gala concert at Prague’s Rudolfinum with Prague Philharmonia and Łukasz Borowicz was recorded and broadcast via Medici.tv.  In previous seasons on the concert stage, Pati has performed Mahler’s Das Lied von der Erde with both Hans Graf and Tonkünstler Orchester and Kazuki Yamada and Orchestre Philharmonique de Monte Carlo as well as Beethoven’s Symphony No.9 with Mikko Franck and Orchestre Philharmonique de Radio France.

Pene Pati’s warm and winning personality has helped endear him to audiences around the world and contributed to great competition success in his formative years taking top prizes and audience choice awards at several competitions including Operalia and Neue Stimmen. He received his masters’ degree from the Wales International Academy of Voice, and was an Adler Fellow at San Francisco Opera. An active presence on social media, he can be found under @pene.pati on Instagram, TikTok, Facebook, and @penepatitenor on X.

Hometown: Apia, Samoa

André Robitaille

Host

No challenge is too great for this multitalented man, a graduate of the École Nationale de Théâtre in 1989, who shines equally in acting, directing, hosting, and comedy.

A standout contributor to the shows 100 Limite and Bons baisers de France, André Robitaille is also a formidable host, captivating both young audiences (Vazimolo) and adults alike with shows such as Les mordus, Les forges du désert, C’est juste de la TV (2007–2013), Testé sur des humains, Entrée principale, Bien Bâti, not to mention Les Enfants de la TV (since fall 2014) and La revue culturelle (since 2016). In recent years, he has also hosted several documentaries: Jean-Pierre Ferland, La vie devant moi, Janine Sutto, Dominique Michel, Béatrice Picard, Antonine Maillet, Patsy Gallant, and Ginette Reno.

A sharp and dynamic master of ceremonies, he has led numerous game shows and hosted the Gémeaux Awards gala in 2007. As an actor, he has stood out in youth series such as Les intrépides and Tactik, as well as in dramas like Bombardier, Le retour, Rue L’Espérance, Hommes en quarantaine, 30 vies, and Fugueuse. He also appeared in the series Pour toi Flora and À cœur battant.

A regular on stage, he has made his mark in theatre, participating in over twenty major productions as an actor and directing several comedies. He has also played leading roles in films such as The Age of Ignorance by Denys Arcand and Bon Cop, Bad Cop by Érik Canuel, and appeared in Roméo et Juliette, Monsieur Lazhar, and L’enfant prodige.

His natural ease as a host also led him to radio, where he hosted Les midis fous and Y’é trop d’bonne heure on CKOI in the 1990s, followed by Tout l’monde debout! on Rock Détente from 2005 to 2007.

His excellence as a host has earned him five MetroStar Awards and eight Gémeaux Awards over the years.

The audience can arrive at the entrance at 2727 boulevard Pie-IX from 3:30 pm.

We strongly suggest taking the public transit: green metro line to Pie-IX station or buses 97, 139 and 439.

By bicycle: bike access though the bike lanes on rue Rachel, du Parc Maisonneuve and Bennett. Bike racks are available close to the entrance. Bixi stations are situated on Pierre-de-Coubertin Avenue, either next to the exit of metro Viau (in between Viau and Théodore streets), on the intersection with Avenue de LaSalle (next to the Olympic Park entrance) or at the entrance of the Olympic Park Sports Center (next to the base of the Tower).

By car: P2 or P1 parking lots on Avenue Pierre-de-Coubertin.

For details, please consult the Olympic Park website: https://parcolympique.qc.ca/en/what-to-do/esplanade-en/

If you have questions concerning accessibility for people with physical limitations, please contact us at accessiblite@osm.ca or call 514-842-9951 | 1 888-842-9951.

This is a bring-your-own-chair event!

We do not provide any chairs for the park concerts. Be it a camping chair, a stool or simply a blanket, if you wish to sit down, we invite you to bring your own material.

Yes, there will be toilets.

There will also be accessible portable toilets on site for people with limited mobility, as well as a bathroom inside the building. It is accessible though the entrance at 4545, Avenue Pierre-De-Coubertin

Changing tables will be available at the indoors bathrooms situated at 4545, avenue Pierre-De-Coubertin, level 100.

No, you cannot bring food or alcohol on site.

There will be five food trucks as well as two bars where beer will be served thanks to our partnership with Boréale. These will be accessible from 3:30 pm

No pets are allowed on site, except for service dogs.

The OSM will not cancel the concert in case of rain, unless it proves to be an electrical storm. In the event of this happening, you will be informed through our website and our Facebook page.

I give to the OSM

By making a donation to the OSM, you set the tone. Your generosity gives life to inclusive artistic, educational and community projects. You make the music resonate further, louder and with a wider audience. Share your classic.

The OSM issues a tax receipt for all donations of $25 or more. For smaller amounts, a receipt will be issued on request.