Rafael Payare Conducts Mahler’s Symphony No. 7
Admired for the powerful intensity of her playing, violinist Simone Lamsma will join the OSM in a performance of Szymanowski’s Violin Concerto no. 1. Based on the Polish poem “May Night,” the piece exudes a contemplative atmosphere. A nighttime mood also pervades Mahler’s Seventh Symphony right through to its resolution in a luminous finale. This astonishingly modern work attests to the composer’s pioneering spirit.
Admired for the powerful intensity of her playing, violinist Simone Lamsma will join the OSM in a performance of Szymanowski’s Violin Concerto no. 1. Based on the Polish poem “May Night,” the piece exudes a contemplative atmosphere. A nighttime mood also pervades Mahler’s Seventh Symphony right through to its resolution in a luminous finale. This astonishingly modern work attests to the composer’s pioneering spirit.
Artists
Orchestre symphonique de Montréal
Rafael Payare, conductor
Simone Lamsma, violin
Program
Szymanowski, Violin Concerto no. 1, op. 35 (26 min.)
Intermission (20 min.)
Mahler, Symphony no. 7 in E minor (77 min.)

Rafael Payare
Music DirectorDistinguished by innate musicianship, a gift for communication, and an irresistibly joyous spirit, conductor Rafael Payare began playing horn in Venezuela’s El Sistema program at age 14 and started his formal conducting studies in 2004 with José Antonio Abreu. Since winning Denmark’s prestigious Malko Competition for Young Conductors in 2012, his career has advanced rapidly. He was Chief Conductor and Music Director of the Ulster Orchestra from 2014 to 2019; has served as Principal Conductor of the Castleton Festival, founded by his mentor the late Lorin Maazel, since 2015; became Music Director of the San Diego Symphony in 2019, and three years later became Music Director of Canada’s Orchestre symphonique de Montréal. In recent years, Payare has conducted many of the world’s most prestigious orchestras, including those of New York, Chicago, Los Angeles, San Francisco, Philadelphia, Zurich, Berlin, Vienna, London, Munich, Hamburg, and Paris, besides making important opera debuts at London’s Royal Opera House, Covent Garden; the Glyndebourne Festival; Stockholm’s Royal Swedish Opera; and the Royal Danish Opera.